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Zen and the Art of Beading
By Susan Kieffer, Assistant Editor

Fiberarts Magazine Sept/Oct 2001
Sunita Patterson, Editor


 

Though the technique of beadwork is centuries old, the sculptural forms of David Chatt's work speak much to the life of modern-day man. The subject in his piece entitled Hanging on by a Thread appears to be a man in a landscape of estrangement, having lost so many of his marbles that his face seems to have shrunk around the mouth and chin. Helplessly, he looks on at his scattered marbles.
But Chatt doesn't let the viewer dwell on this modern existential experience. His work is imbued with a lively sense of humor that forces us to chuckle as we interact with his piece. And, it is impossible not to appreciate his innovative and time-consuming beading technique. He sews individual seed beads together to create what he calls "a skin over a rigid form, or a self-supporting matrix of beads that is at once structural and dynamic." Zenlike, his approach to art not only embraces a technical proficiency with materials but fuses the artist with his creation.
His work was recently featured in the exhibit "Sewn" at the Seattle Art Museum and can also be seen in the currently touring "Men of the Cloth" exhibit that was curated by the Loveland Art Museum in Colorado. The exhibit runs from September 1 through December 31 at the South Dakota Art Museum in Brookings.
-Susan Kieffer